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・ Théodore Chevignard de Chavigny, comte de Toulongeon
・ Théodore Claude Henri, vicomte Hersart de la Villemarqué
・ Théodore Cornut
・ Théodore de Banville
・ Théodore de Mayerne
・ Théodore Deck
・ Théodore Drouhet
・ Théodore Dubois
・ Théodore Ducos
・ Théodore Duret
・ Théodore Dézamy
・ Théodore Edme Mionnet
・ Théodore Eugène César Ruyssen
・ Théodore Flournoy
・ Théodore Fourmois
Théodore Frère
・ Théodore Gardelle
・ Théodore Gosselin
・ Théodore Guérin
・ Théodore Géricault
・ Théodore Herpin
・ Théodore Holo
・ Théodore Jean Arcand
・ Théodore Juste
・ Théodore Labarre
・ Théodore Lack
・ Théodore Legault
・ Théodore Limperg
・ Théodore Léonard Randriamanga
・ Théodore Maunoir


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Théodore Frère : ウィキペディア英語版
Théodore Frère

Charles-Théodore Frère (21 June 1814, Paris – 24 May 1886) was a French Orientalist painter.
==Biography==

The son of a Paris music publisher, Frère studied at the École des Beaux-Arts under Jules Coignet and Camille Roqueplan. On completing his studies, he travelled throughout France visiting Alsace, Auvergne and Normandy. On returning to Paris, he exhibited ''Vue des Environs de Strasbourg'' at the 1834 Paris Salon. His exhibits at the Salon in subsequent years were nearly all Orientalist paintings as a result of several journeys to Africa and the Near East.〔("Charles Theodore Frere" ), ''Rehs Galleries''. Retrieved 3 May 2012.〕
After a stay in Algiers in 1836, he left with the army for Constantine which was taken on 13 October 1837, returning to Paris in 1839. Like his younger brother Pierre-Édouard, he was a prolific painter. During his first trip to Algeria, he completed works for the King of Württemberg. Around 1851, he undertook a further journey to the Near East, visiting Malta, Greece, Egypt and Turkey becoming one of the few artists to paint Beirut, Damascus and Palmyra. In 1853, he established a studio in Cairo, becoming the court painter there. The viceroy of Egypt elevated him to the rank of bey.〔
In 1869, he once again travelled to the Egypt, now as a member of Empress Eugénie's party, for the opening of the Suez Canal. She commissioned a series of watercolours which could not be delivered to her owing to the 1870 Franco-Prussian War. Instead they were given to her friend and pupil, the Marquis of Puisaye.

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